HDR Photography, Overused or Underappreciated?

5 Shot HDR (+/- 3 EV)

Today's digital camera sensors have a limited dynamic range when compared to human vision.  A digital camera sensor can only record a range of 10 stops of light at a time.  There are times where a scene has a bright light source as well as dark shadows creating a greater dynamic range than what a digital camera sensor can read.  Where human eyes can see detail in both the shadows and highlights at the same time, a camera sensor can not and the photo may not come out as expected.  When taking a photo of a scene like this it is necessary to "clip" or lose detail in either the shadows or the highlights.  This causes completely black or white areas of an image depending on where you set your exposure.

High Dynamic Range (HDR) photography is a technique in modern digital photography that allows larger range of tones to be shown than can be recorded in a single exposure.  This is done by taking multiple images of the same scene by bracketing exposures, taking an underexposed image at -1 EV, a normal exposure at 0 EV, and an overexposed image at +1 EV.  More images can be taken at further extremes but generally the +/- 3 EV is the farthest it is necessary to go.  It is best to take all of the bracketed exposures in succession and without moving the camera to prevent issues with post-processing.  It is not necessary to use a tripod but it does help during the alignment in post-processing and is necessary for longer exposures.   

In the years since the advent of the HDR photography, some say it has become overused and overdone and will immediately dismiss and belittle a photographer for using the technique.  A lot of this stems from the ability to overdo HDR processing and using the HDR technique for situations for which it isn't called for.  HDR photography is not going to improve a badly composed image and it isn't the end all be all of photography techniques, rather a tool to be used if the need arises. 

3 Shot HDR (+/- 1 EV)

An important part of HDR photography is restraint.  For example, if a scene can be fully captured with one image, great, no need to do exposure bracketing and use the HDR technique.  However, if both the highlights and the shadows are clipped, bracketing and HDR may be a good idea.  Get used to looking at your histogram and being able to tell the difference between a situation where nothing is being clipped, the shadows are being clipped, the highlights are being clipped, or both the shadows and highlights are being clipped.  When you are in the field, train yourself to think in terms of how the exposure will look on the camera.  To help with this, after taking an exposure look at the histogram for each photo on your camera and based off of what you see, decide if it is worth bracketing exposures and to use the HDR technique.  I tend to use the HDR technique during sunset or sunrise when I'd like to include the sun or colors in the sky in my exposure as well as foreground shadow detail. 

Once you've taken your bracketed exposures, the rest of the HDR process is accomplished in the digital darkroom.  There are 3 programs which will help create a final image from bracketed shots, Adobe Photoshop CS 6, Photomatix, and Nik HDR Efex Pro 2.  All 3 do a good job and there are plenty of tutorials on how to use all of them.  Personally I prefer Nik's HDR Efex Pro which does a great job with creating a good base image that can then be modified to your liking.  Photoshop does a good job with preventing "ghosting" which can be caused if there are discrepancies between your bracketed exposures.  What these programs all have in common is that they take the bracketed exposures, align them, and merge them together into one image.  They then selectively allow you to keep the highlight detail in the greater exposed image while keeping the shadow detail in the lesser exposed image.  The final product is an image that no longer has any highlight or shadow clipping.  This helps to create vibrant colors in the sky of a sunset as well as rich details in the shadows.  It is, however, very easy to overdo it with HDR photography processing.

My best advice is to make the photo look as realistic as possible and to only use as much compression as necessary to avoid highlight clipping.  Think of HDR photography as another tool in your toolbox, a way to help capture a scene the way you experience it.  Use it to your advantage and keep the processing to a minimum and I think you'll agree that HDR processing is here to stay.  

5 Shot HDR (+/- 3 EV)

Essentials of Long Exposure Photography

When people think of photography they usually think of a snapshot that freezes a moment of time in a frame at 1/1000th of a second or shorter.  However, photography can be much more than that with the correct gear or conditions.  Long exposure photography is only possible naturally during the night and can produce interesting effects of motion blur effects or star trails.  I will go into star trails and night photography in another post but here's an example of where a long (30 second) exposure can be used to create blur in passing car's headlights.  No filter was need for this photo since base ISO was used. 

30" exposure after sunset using no filters

It is possible to shoot long exposures during the day but it requires neutral density (ND) filters which are dark pieces of glass that block the majority of light from entering the camera and being registered by the sensor.  There are different strengths of ND filters available, rated by their ability to absorb light in f stops.  They range from 1 stop to 10 stops of light reduction.  A circular polarizer (CPL) also acts as a ND filters and usually has about 3 stops of light reduction.

Whenever I'm out shooting landscapes, I always get asked what types of filters I am using and why I use them.  When I was first starting out, the idea of putting pieces of glass in front of my lens didn't make much sense but now my glass feels naked without them there.  It will take some time to get used to using filters but it's well worth it.  Most things that filters used to do can now be done now in post-production or via exposure bracketing.  However, a polarizing effect and long exposure effect can not be accurately reproduced during post so no matter what people tell you, there is still a need for using filters in photography.  The graduated neutral density (GND) filter effect can be done in post production and some people don't use them but I like getting the image as close to correct as possible to being correct in camera so I still use the GND when the situation calls for it.    

30" exposure. notice silhouette of of person on lighthouse

 When choosing what filters to purchase, although there are cheaper options, it is worth getting high quality filters and polarizers or else they will provide a color cast which can't be corrected in post-production.  I recommend getting only Lee, Hitech, and B&W filters no matter your skill level, you will be able to notice the difference.

There are a couple options when choosing what type of filter is right for you.  There are circular filters that screw onto your lens's threads like the B&W 10 Stop ND Filter and the Variable 2-8 Stop ND Filter which I've heard good things about.  These types of filters work well but can cause vignetting in some situations and can be cumbersome to take on and off.  They are mainly used by amateurs who are first getting into long exposure photography and while they are great at what they do they aren't as versatile as having a filter holder using square or rectangular filters.

Adding filters to my foundation kit at a river in Thailand

I use a Lee Foundation Kit which attaches to your lens via an adapter that screws onto the lens.  The Lee foundation kit has 3 filter slots so a variety of filters can be used.  I use the Lee Big Stopper which is a 10 stop ND filter but very hard to find in stock.  Hitech makes a 10 Stop ND Filter that is easier to come by.   I also use a Lee 3 Stop ND Filter which is great for situations where you don't want as long of an exposure as the 10 stop filter.  I almost always use a Lee 4x4 Circular Polarizer which besides acting as a 3 stop neutral density filter also intensifies blue skies, increase color saturation, and eliminates unwanted reflections.  I  keep a Lee 3 stop GND Filter in my bag to use where part of my image is brighter than the other part like during a sunset where the sky is much brighter than the foreground.  To hold all my filters in one place, I use this Filter Bag. 

Blurred people and sky at the Grand Palace in Thailand

Having a good quality tripod is essential for creating a good long exposure as your camera needs to be completely still for at least 30".  There are many tripods out there but I currently use a Feisol 3441-T  carbon fiber tripod/head combo.  I've also have the less expensive but larger Manfrotto 055XPROB aluminum tripod with 498RC2 head and use it with great results. 
Once you have the correct filters, play around with different combinations to find a style of long exposure photography that you like.  For example, try stacking a CPL and 10 Stop ND filter and take a mid-day photo at base ISO at the ocean or river. Or use a 3 stop ND, GND, and CPL during sunset which will allow you take a 30 second photo and get a nice motion blur of your subject.  The effect in a crowd is also cool, if people are moving they won't show up in your photo.  If they stop briefly they may appear semi-transparent or blurred which creates motion in the scene depending on exposure.  There is no wrong answer here, think of these filters as a tool once you have more experience, you'll start to get a better feel of situations that will work for long-exposure photography and situations that won't work.

180" exposure flattens out waves and blurs clouds

Figuring out the correct exposure settings for a long exposure can be tricky, especially at night.  For long exposures, I always use the "live mode" to both focus and meter my shot.  When using 10 stop filters, it is sometimes necessary to take off the filters to focusing the shot.  Once the shot is focused, the filters can be put back on so correct metering can be achieved.  In camera, you are limited to the maximum exposure time of 30".  With a intervalometer, you have the ability to use "Bulb" mode to take exposures for as long as you wish.  I recommend this affordable offbrand intervalometer which I use that does a fine job but only costs a fraction of what Canon's does.  I always use aperture priority mode and set my aperture to f/8.  I then lock in the ISO at 100 and let the camera meter the shot.  I find that setting the EV to +1 is the way to go as it gives more shadow details.   If the camera metering is not working well, you can deduce the correct exposures using the following formula:

T(n) = t x 2^n
n = Total stop value of all ND filters you are using
t = Metered shutter speed without filters attached
T(n) = Exposure time to use

If you don't like to deal with math (like me) you can do a short high ISO shot with your filters attached and lower the ISO while increasing she shutter speed.  Each time you lower the ISO one stop, double the exposure time.  If that is too difficult or to make subtle changes, just use your camera's metering to get the exposure and change your EV to +2 or +3 or whatever is necessary.   For longer shots this might not be ideal but it works and as a bonus you could then even do an HDR (I'll do a separate post on HDR's/exposure bracketing sometime in the future)

Feel free to comment if anyone has questions regarding anything I covered in this post and get out there shooting!